A Noob’s Review – 1000xRESIST

There is a nearness and its gravity is echoing.

I already wrote at length about my first impressions of 1000xRESIST. Instead of rehashing that, I am going to talk about what I consider to be the games strengths. I would also talk about the weaknesses but I honestly have difficulty finding any beyond the slow start that I mentioned in those impressions.

The more you try to recommend this game to folk, the more you realise how difficult it is to define the genre. There is a surprising variety of touchpoints for comparison, but every similarity I point out is usually a specific tone or mechanic, rather that the game itself being similar to any other. Here, I want to talk about what this game does, and why it works for me.

+ Scope

I often wonder how people come up with stories like this. But then I read something from an AMA with the developers. This game is a fantastic example of using what you have to inform what you do.

A question was asked about what birthed the idea using clones. There were two answers, one we will get into later, but the second one stood out to me.

“The other thing was SCOPE. Yes, it meant we could focus on making the character model that we had, better!”

It’s fascinating how a creative decision so important can stem from such a technical, meta reason. I personally find that given all of the freedom in the world, my work will often be weaker than the work I had to do under restrictions, which could be why this resonates so much. Scope takes discipline, and while they could have decided to spend more time creating more characters, they made it a core part of the story, giving them more time to focus on the intricacies of the world they were building.

Thinking of it this way, it begins to dawn on me that there are a lot of reused environments too. Many of the places that you go, you will see again for one reason or another. However, there wasn’t a single visit to any of these locations that made me feel sick of them. It never got tiresome. Every revisit was repurposed so carefully that suddenly, fewer environments become a blessing, allowing me that familiarity that makes me feel more involved in the story.

+ Nature vs nurture / themes

Nature vs nurture is something that has always intrigued me. It’s not something that can ever be researched ethically, but the questions remain ever fascinating. How much of a person is in their genetics, and how much is their circumstance? What would the best of us be driven to under difficult circumstances? Could an evil person have been good? Is everyone capable of anything? Is anyone capable of everything? We will never know and it makes for an extremely rich setting for a narrative to explore. One thing that no one can deny is that we are influenced by the people around us, no matter how much we want to be, for better or worse, and that is explored well here.

There are two reasons why we wanted to look at clones! One, was getting to explore the classic thematic of nature vs. nurture. How much of how we turn out as human beings is because of things we don’t understand?

The game also took on many tricky themes that could very easily have been too much. Generational trauma, oppressive regimes, faith, sacrifice, ends justifying means, intent, justice. It was a lot, but never too much. Everything was handled with care and in a world where everyone is waiting for the next thing to be outraged about, I found the game handled everything with class, giving no ammunition to the folk who try to drag things down. Equally, it felt like a safe space to consider these delicate topics without judgement.

+ The Writing

As I mentioned in my first impressions, I didn’t like the writing at first. However, once I got used to the rhythm of the speech of these characters, I was finishing their sentences. I when I finished the game, I couldn’t remember the specific lines in some important moments, but I could hear their rhythm like a melody stuck in my head. And it’s believable. No one talks like this, but they do. It is another one of those bold choices that went well because they rightfully have confidence in the excellent quality of their storytelling.

+ Everything Audio

The music goes a long way to setting the atmosphere of this game. Every time I sat down for a session, hearing the melancholic tones had me immersed immediately, whether it was light, sombre melodies or a little heavier.

The voice acting is another auditory factor that solidifies this games identity. There are so many characters, all so similar and yet so different. The hushed tones, words spoken so softly yet carrying so much weight. It is all so intentional and commendable. The voice acting also contributes to the rhythm of the speech as mentioned above. Without it, I am not sure the game would have bled into my thoughts the same way that it did.

+ Visuals

The game does not have ‘impressive’ graphics. As in, don’t come here for photorealism or next gen aesthetics ala Hellblade. It is stylized. Sometimes, particularly walking around the hub area, the textures felt a little PS3 to me. However, I think any reasonable gamer, and particularly indie enjoyers, can accept that photorealism is only one choice in a medium that can achieve anything, and beauty can be created in other ways.

What this game does have is very impressive art direction and cinematography. It is ambitious in its style in every way except perfection. Colour is already an in game concern, but the use in a creative sense, alongside lighting, can be striking. Whether you are walking around a corner into a set piece, or being guided by a cutscene to see something new, the developers clearly had a vision and they did everything they could to put that on screen, succeeding with flying… colours.

+ Balance

1000xRESIST contains a huge, winding story, the likes of which is very rare to be told so comprehensively within a 14 hour experience. The reason that it is done so well is the balance achieved in the conceptual phases as well as the execution. This story is about disaster. It is about eras. Civilisations. But it is also about people. Individuals. It is about things much bigger than we can possibly comprehend, and it is about the nuance of being human within that. It never loses sight of either of these things.

+ Attention to Detail

Just because the scope was kept in check, that doesn’t mean there is a lack of anything. In fact, that is most likely the very reason that the game contains the density of detail that it does. Again, I am not talking about the textures or foliage. I am talking about continuity, and the stories that are being told indirectly throughout the entire game. It is worth looking around and talking to everyone that you find. You never know who or what will make a huge difference down the line. While it isn’t the focus of the story, I find there to be a bit of butterfly effect between the lines and it is really neat to identify the triggers that may change the course of history, no matter how small they seem at the time.

+ Respecting the Player

Possibly the thing that I found the most impressive above all else is the way that I felt respected as a player. In my initial impressions I complained that I felt I was supposed to care about something I had no understanding of or context for. I understand that decision a lot more as I have made my way through the game. The developers trust that you will come to understand, without any clumsy exposition dumps or codexes. We learn through experience, exploring the environments we are in, and observation. It is no coincidence that our main character is called ‘Watcher’.

Of course, there is exposition, there has to be, but it is weaved into the game so well that I never begrudged it. In fact I welcomed it as the more that I found out, the more that I realised I still wanted to know. There is even an exposition device written into the story in the form of communions, allowing us to learn about the history of the game world alongside our main character.

I felt respected in another way too. Throughout this whirlwind of heavy hitting themes, I never once as the player felt that I HAD to feel a certain way. These characters are flawed. They make mistakes, mistakes that we are making with them, whether we believe it is a good idea or not. Never once did the game then shame you for what you have done. It provides opportunities to think, but it never does the ‘What have you done?! You, the player, you did something despicable’ thing that some other games do. It could easily have gone down that route but I am very grateful that it did not and as a result it is a richer experience.

1000xRESIST appeals to the part of me that loves YA dystopian fiction. There is nothing wrong with that, but it also somehow feels very reductive. I think what I ultimately mean is that this is not going to be for everyone. For me, it came out of the blue, infecting my thoughts both in and out of the game for a while, but not everyone will have that experience. I think it is important to temper expectations, especially if you aren’t going in as blind as I did.

If anything that I have wrote sounds interesting to you then there is a good chance you will enjoy the game, but be aware that this is an immersive, experimental, narrative based experience. If that isn’t your jam then I don’t necesserily think this is the game that could convert you. My recommendation to everyone is that if you aren’t feeling the beginning, just like I wasn’t, try finishing the first two chapters and see if it grabs you. If it hasn’t by then it probably wont but that is a good amount of time to see some of the variety of storytelling on display.

One thing I do know is that I am not finished with this game.

This is a game about breaking barriers. Some characters giving their all to destroy them and some giving their all to stop them. But also the developers, creating a game that I can’t ever imagine a large studio having the courage to try. It is unconventional, it nails what it is going for, it is a breath of fresh (and emotional) air, and as I said in my impressions post, this is what indie gaming is all about.

Hekki Grace.


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Hauntii – Demo Impressions

A pleasant journey through Eternity.

Hauntii

Developer: Moonloop Games LLC

Release Date: 23 May 2024

A beguiling adventure in which you uncover the secrets of an expansive and mysterious world – haunting both the environment and its denizens to craft ingenious solutions to the many challenges that await.

When I read ‘twin-stick shooter’ and ‘action’ as tags on steam I was a little hesitant, but felt drawn in by the art style on display. Thankfully for me, there was a lot less action than I expected. The demo showed off a game of exploration, collection and puzzles where navigating the dangerous dark land of Eternity is our goal, guided by the welcoming lights around us and the friendly locals.

While our character moves quite slowly, shooting feels great and is used for many more purposes than just shooting enemies. We are Hauntii, a ghost that has the ability to posses objects and other things, influencing them to do as we please. This could be lighting up a previously unlit path, growing to allow us to reach other places, becoming a turret to shoot heavier objects or even allowing more traversal to find all of the secrets. Our goal is to collect fragments of our past, bringing them together to paint a clearer picture of who we were and how to free our self from the tether this land has on us.

Hauntii reminded me of some other indies that I have played or seen in the last couple of years, and while it isn’t exactly like any one of these games, I will mention why they prompted memories in me. My first touchpoint was Gris, a very artful, intentional experience promising emotions through imagery and sound. Chicory is the second game I was reminded of, due to the way that we can change the world as we interact with it, as well as having a sweet vibe underlined by a threat. Finally, The Wild at Heart was my third reference point, not at all through gameplay, just very vague aesthetics, exploration, an interesting forest family, a hub area and the use of the dark. If you like any of those games for any of those reasons then there is a potential that there will be something here for you too!

This feels like a one for the couch, to play on a cozy night in with the lights low, candles on, a blanket and a nice cup of hot chocolate in hand.

Demo Length – 1 hour
At a glance
+ Art.
+ Music.
+ The animation.
+ The use of colour.
+ The distortion in the dark.
+ Shooting feels very smooth.
+ Finding secrets.
+ The whimsy.
+/- The puzzles were quite simple, but I also didn’t feel like my hand was being held.
Not sure why I was collecting things other than my memories.
Movement speed is a little slow.

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1000xRESIST – First Impressions

Breaking the mould of the narrative experience.

1000xRESIST

Developer: sunset visitor 斜陽過客

Release Date: 09 May 2024

1000xRESIST is a thrilling sci-fi adventure. The year is unknown, and a disease spread by an alien invasion keeps you underground. You are Watcher. You dutifully fulfil your purpose in serving the ALLMOTHER, until the day you discover a shocking secret that changes everything.

This is a write up of my first impressions of 1000xRESIST having played through 2 chapters of the game. I intended to play around an hour or the first chapter – which ever came first – but this game got it’s hooks in me. I had to tear myself away otherwise my first impressions would become a full blown review. On one hand, I wouldn’t mind that but on the other, I have lots more games to try out during the fantastic LudoNarraCon.

*My first impression posts aren’t usually this long but I had a lot to say about this game!


First thing’s first, this is an experimental game. It does exactly what it wants to do and does so confidently. I will admit, I was not sold at first. I found the opening slightly off-putting, feeling like I was supposed to care about these characters that I had never met, having an experience that I don’t understand. However, with a little more patience the world was built, less through exposition and more through exploration and character interactions. Half way through chapter 1 I got into my groove and by the end of the chapter I was all in.

The steam description sets up an epic story about aliens and diseases and the ALLMOTHER, and while these are all certainly present, creating the entire setting for the game, it surprisingly feels very personal so far. Even more impressively, it remains personal and creates an investment despite incredibly flawed and some even dare I say unlikable characters.

The game splits between the present time and the past, parts of the chapter taking place in the form of what I would call long vignettes. The character who’s memories we are exploring, in my opinion, is down-right awful, but I am compelled to see what made her that way. What particularly shines are the relationships, personalities and actions of the people around her.

A common complaint in either cinematic narrative games or walking simulator style stories, is that there isn’t enough for us – the player – to do. I feel it is important to point out that I can personally enjoy a narrative game with very minimal mechanics. Having said that, I find 1000xRESIST to have struck a great balance of engaging gameplay so far. The primary verbs that I have experienced so far are walk around, interact, and a time hop mechanic.

The time hop mechanic alone warrants the existence of this game. Not to sell the other aspects short, but the way it weaves intricately with the environmental storytelling and level design has been fantastic to experience so far. Not to mention that in each chapter the mechanics have been used in their own way, leaving me eager to see what other ways the story is going to be told throughout the rest of the game.

An example of the impact of the aethetic contrast.

The presentation – particularly in chapter 1 – felt inspired. The lighting alongside fixed camera angles were super effective, I felt dread rounding every corner without it ever being too much. The design of the aliens that have literally plagued humanity and the effect that they have had on the world brings a fantastic contrast to the world of 2047, an unknown amount of years prior, right before the effects took hold. Switching between both of these times in the blink of an eye creates a jarring effect aesthetically and a devastating one emotionally.

It is hard to describe what to expect as this game is unique, but I felt influences or slight similarities every now and again from other media. The first being that the experience of Chapter 2 is exactly the experience that I wish I had from the game Virginia. A wonderfully executed montage experience that I can’t say I have seen many games try. Other looser and unexpected vibes I got lead me to think of set up and themes of stories like Signalis and Everything Everywhere All At Once. I am not saying that you will have the same experience in this game as you had from those other properties, but they felt worth mentioning none the less as if you enjoyed them, I think there could be something here for you.

1000xResist is an experimental narrative game that resonated with me in ways that other experimental narrative game sometimes have not. Both chapters that I played were strong and emotional. What is different about this game is that I don’t actually know what I am going to be doing next. Rather than being goals driven, I am being taken on a journey. A tour of a world entirely different to the world I know. And that is great too. I am excited to see what lies in store.

This game breaks the mould – this is what Indie Gaming is all about.

At a glance
+ All in on the experimental storytelling.
+ Enough input required from the player to keep it engaging.
+ Time hop mechanic.
+ Environmental storytelling.
+ Very intriguing concept all around leaving me hungry for more.
+ Not exposition heavy.
+ I feel invested in characters despite not agreeing with them or even liking some of them.
+ The Asian-Canadian perspective enriches the whole experience.
+ The aethetic – particularly in chapter 1 – is great.
+ What a cool idea for a disease.
+/- The characters are flawed, and I think the game is trusting player curiosity to carry on despite the player characters feelings on the situation.
+/- Took a while to understand what is happening.
+/- No indication about what is next, just this really interesting world.
Disconnect in dialogue took me out of it occasionally e.g. Watcher talking as herself when people see her as Iris.

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Europa – Demo Impressions

Melancholic yet magical meandering.

Europa

Developer: Helder Pinto

Release Date: 2024

On the moon Europa, a lush terraformed paradise in Jupiter’s shadow, an android named Zee sets out in search of answers. Run, glide and fly across the landscape, solve mysteries in the ruins of a fallen utopia, and discover the story of the last human alive.

Playing the demo of Europa without context, I felt like I was exploring a beautiful land full of whimsy. There was a tinge of sadness but that was continually overridden by the joy of movement. There is a heavy sense of a thriving ecosystem that bustles in every biome, making the place feel alive, allowing an extremely important – and potentially disturbing thought – to hide in the back of your mind, buried but niggling. That question – where are the people?

Fast forward to writing my impressions which allows me to read the Steam description (see above). I did read it some time before but I also read about 40 others so I unfortunately don’t tend to remember the specific details. Upon a reread knowing what I know now, my reaction was one of confusion, shock and sadness. This additional context changes a lot of the mulling and theorising I was doing while playing. It takes away a lot of the hope that I had and makes me approach the story in a whole new way. The rug has been pulled, a plot twist without even being within the game.

Playing Europa felt reminiscent of Journey. It has more means of storytelling, for example the excellent journal that pages you pick up, but it is largely a game of cinematic exploration through kinetic means, soaring your way through seperate levels, taking in the environment and solving a puzzle to move onto the next one.

The game is full of neat little details. The way it guides you to areas of interest with the use of wildlife is lovely, along with being able to interact with mysterious creatures, which you will seemingly learn more about as you go. The use of particles and so many other wonders filling the air makes Europa feel like a slightly alien yet magical place. Surfing across water is always fun and methods of movement are introduced at a great pace, making exploring these areas much more of a pleasure than a chore.

I am definitely interested in playing the rest of Europa, although I wonder whether it will be one of those games that I need to be adequately emotionally prepared for, as under the colourful, perfect aesthetic, dark themes are being explored.

Demo Length – 35 mins.

At a glance
+ Movement is fun.
+ The abundance of nature (and evolution of it?).
+ Areas felt the perfect size to do a little exploring and then move on.
+ The colours, particles, effects and general art direction.
+ The book pages.
+ The teaser at the end showed lots more to come.

More demo impressions here…
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Jusant – Demo Impressions

Where did the tide go?

Jusant

Developer: DON’T NOD

Release Date: 31 October 2023

Jusant(n.): a French nautical term for a receding tide

Enjoy meditative vibes in Jusant, an action-puzzle climbing game. Scale an immeasurably tall tower and ascend to new heights alongside your watery companion. Master your climbing tools, find your way up through diverse biomes, and piece together the tower’s past

Jusant opens with an understated screen. It reads ‘Jusant(n.): a French nautical term for a receding tide’. This is followed by a wordless cutscene, setting the scene of a sprawling wasteland, a mass grave littered with the remains of sea vessels as far as the eye can see. Not a word was spoken, and it didn’t need to be.

Our protagonist appears over the horizon, seemingly not of our world, carrying what can only be presumed to be precious cargo. They approach a towering cliff, a grand spectacle so tall that it fades into the clouds above, and thus begins Jusant.

There is no shortage of wildlife, contrasting the eerie stillness of the abandoned cliff village with the bustle of nature, bringing the environment to life. But a question remains, where are the people? and that is just one question of many that I have from playing this stunning demo.

Was the receding tide expected in this clearly nautical nation, did it used to be stable, where did it go and who are we? These are things that I hope that we will find out along the way. All that we know about the world are the items surrounding us left behind by the former inhabitents, and the letters that we find along the way offering a window into a past life.

It may be clear that the world enraptured me so much that the gameplay felt secondary to me. So far it is simple and forgiving, and while that might not be up everyone’s alley, I personally find it complements the pensive tone by giving us the ability to keep pressing forward on our journey for answers.

I dont know whether the full game will deliver on the Journey or Brothers: Tale of Two Sons-esque feelings that I am getting, whether the difficulty will ramp up or whether all of my questions will be answered. But one thing that is for sure is that I am really looking forward to finding out.

Demo Length – 1 hour.

At a glance
+ Fascinating world.
+ Unique setting.
+ Stunning vistas.
+ Gets the imagination going.
+ The creatures in this world.
+ I was feeling emotions without being told to feel emotions.
+/- It isn’t difficult.
+/- I looked for secrets but I didn’t really find any. May be a dissapointing thing but it is good to know early how thoroughly you have to look into every nook and cranny.
A little buggy.

More demo impressions here…
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