Author: CtrlAltNoob

A Noob’s Review – Hades

I feel I need to start this one with a disclaimer. Reviews are subjective. I am going to talk about my experience with the game as a person who doesn’t play games for their combat. People who like the challenge may disagree with what I say, as I have seen many people online say this game is too easy. I, personally, am not a god at video games. I can only talk from my own point of view, that this game can also be great for people like me, even if it does have its drawbacks.

+ The Premise

Alright, so Hades is an artistic, stylish rogue-lite based in Greek Mythology. We play as Zagreus – the Son of Hades – and we have one goal. Escaping the underworld. Everytime you die you are transported back home, which makes sense as that is where the majority of the dead end up sooner or later. This alone is such a fantastic concept. I love when game mechanics are tied to the story and I can think of no better set up for a rouge-lite. Throughout our escape attempts, our family on Olympus will offer us aid in the form of boons and this is where the classic roguelike gameplay factors in. Different perks combine in different ways to allow a variety of playstyles. Throughout our escape attempts – and eventually escapes – we get more and more story, be it characterisation of the gods, or directly talking to everyone back home. We also get more and more mechanics, including weapons to shake up your playstyle and difficulty modifiers, for better or worse. The best part of this set up is that death doesn’t always feel bad. In fact, sometimes I wanted a death just so that I could go back to the house and see what everyone was up to.

+ Aesthetics

At first, when I had only seen others play and not played myself, I didn’t love the aesthetics. Everyone was raving about them but I didn’t really get it until I tried it myself. You would think that the staple colours of red and green would shout Christmas. But they dont. Instead they evoke this regal hell. Rather than a festive cheer, it feels expensive and strict, yet also has a sense of home. The music is so good, everytime I start a run my head has to bob, it is perfect to hype you up for the challenge ahead. There is also diegetic music that is appropriately beautiful and evolves in fun ways as you go. The art in both the portraits of the characters and the movement itself is quite busy, but so unique. When things are busy sometimes my senses freeze up, but once I got used to it I really enjoyed looking at the details put into the characters. Then somehow everything also looks great when it moves. Overall, they took a premise that is already fantastic on its own, but then executed it so stylishly that it oozes personality.

+ The Voices/Dialogue

Before I was familiar with the game I heard a lot of praise for the voice acting. This was another thing that I didn’t really ‘get’ when I started playing myself. I don’t find them traditionally ‘good’. I do find them very stylised in a way that once I got used to it, I loved. As an example, lots of lines are read very quickly and don’t seem to pause in places that you would usually pause. Or there would be no gap between sentences. It felt very unnatural to me for a while, but in the end I feel like it becomes a defining factor in the style of the game. What I do love about the voices are the effects that are used on them. Some of the characters in the game are even beyond gods, and the audio designers did a fantastic job of creating ethereal effects that really characterise the way they speak. This, on top of the fun dialogue and the beautiful art, creates these very evocative and memorable characters, even if we do only meet them one line at a time. There is also so much dialogue. It will be a long time before you hear anything repeated. It is very impressive and a great hook to keep you coming back for more.

+ The Family Dynamics

Family drama is something that can be hit or miss. In real life, it SUCKS. But when that family are Greek Gods? There is something very enticing to be involved in the dynamics of these extremely powerful, extremely temperamental folk. I don’t know much about mythology in general, but I do know a lot of these characters are known for being petty, dishing out punishments, holding grudges etc. I do also believe they know how to have a good time. So having these colourful characters as our uncles and cousins and such was a rush. I didn’t trust them at all, but they so were fun to interact with. The family dynamics in the house are great too and you get to know more as you progress through the game. I really started to care and as dysfunctional as it is, some qualities shine through that you root for.

– The Difficulty Curve

Moving onto the gameplay itself, it is a very mixed bag for me. I am not that experienced with roguelikes but I do know that the more you play, the better you get. You learn the game and you improve. I did enjoy the process in the beginning, however there are certain blocks that felt like a huge wall to me. I managed to overcome some of them, but that doesnt stop them from becoming tedious. Without spoiling too much, the third area enemies often have a lot of armour and can respawn. It would sometimes take me minutes to complete a room. It was frustrating and boring. That might not sound like much but when you have been flying through the first area it feels like molasses. The same thing goes for bosses beyond the second area, I just don’t enjoy them. Thankfully, with every run you are collecting darkness and other items which you can use to upgrade your character. For me though, the satisfaction of coming back upgraded and getting further does not overcome the frustration of the halt of progress in the first place. (This may sound like I just don’t like rogue-lites. The only real point of reference I have is The Binding of Isaac, and I feel like that game moves a lot faster while also having more to think about, so there is less time to be bored). It is not a good feeling when over half of a run feels like a slog and I sometimes feel like throwing it because I can’t be bothered with the boss.

+ God Mode

God Mode is genius and I thank the Devs so much for including it. If you are playing for the story rather than the challenge, God Mode is an optional setting that can progressively make the game easier until it balances out at your level. Every time you die, you will gain a bonus to your damage reduction stat. Meaning enemies will hurt you less. You can turn this on or off at any time and it was a life saver for me. I played the game without it until I got my first clear. To get to credits you need 10 clears. I kept playing and playing but I wasn’t getting any more clears. Then the tedium mentioned above set in. I decided to turn on God Mode and it was the best decision I made. Two clears in a row and my enthusiasm for the game was back. After dying a few more times I reached the correct difficulty for me and got an 8 win streak. These weren’t easy wins either, it was just right that it was down to the wire most times. I urge you that if you are finding it tedious, getting bored, or doing a collect-a-thon, use God Mode. I certainly wouldn’t have got as far as I did without it.

+/- The Pacing

In a game with two distinct sections (gameplay during runs then story time and upgrading between) it was always going to be hard to pace it well. For a lot of people, the story sections ruin the pace of the gameplay. They are ready to jump straight back in but have to go around talking to everyone, breaking their momentum. For me, it was the other way around and play almost felt too long. I wanted to be back at the house for the next story beats and to upgrade my stuff. Based on those two types of players, I don’t really see how they could have a middle ground. It is not detrimental to the game, but it is a common complaint that I have heard and felt myself occasionally, even if it is opposite ends of a spectrum.

+ Other Objectives

There is a lot more to do than just clearing runs. These aren’t things that you have to do but are an option if you need something other than combat like I do. Some characters have side quests that you progress by gifting them items between runs. You can improve relationships, unlocking new dialogue and scenes. Then there are the Boons. If you are a compulsive list taker like me, collecting every Boon is so much fun. Some Boons require you to have other Boons first, and navigating that was a game that I enjoyed more than getting clears. I have officially collected them all and really enjoyed doing so. By the end, every fated choice (one you havent picked up yet) received a celebratory fist bump from me. There are also heat levels that you can unlock to make the game more difficult if you are so inclined. All of these things provide rewards that you can either put towards improving more runs, or buying house fashion.

I hope that if anything, this review shows that Hades can be enjoyed by many different types of people. It is very accessible as a first foray into the genre, while equally providing a new challenge for the genre savvy. While I don’t think it is a perfect game, I do believe it deserved all of the love, praise and awards it recieved. By the end, the game was leaving Game Pass so I was rushing to complete everything that I wanted to. I really don’t think this is the way to play. Chipping away with a few runs here and there after the initial addiction keeps the runs more palatable in my opinion. You can definitely have too much of a good thing! Having said that, it has provided me with many hours of entertainment and I will think back on it very fondly.

+ The Premise

+ The Aesthetics

+ The Voices/Dialogue

– The Difficulty Curve

+ God Mode

+/- The Pacing

+ Other Objectives

I streamed my entire journey to my first clear!

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Indie Showcase #1-#50 – Top 10

It is slightly late but upon looking back over my Indie Showcase so far, I thought it would be fun to pick out some favourites. I originally planned to do this when I reach 100 videos, but picking out the 10 best is already proving to be difficult so I am going to go ahead and do it now!

For those who don’t know, during my weekly Indie Showcase series I try out an indie game for give or take an hour. It started as short, free to play games but evolved into demos, bundle games and games that I received a code for. I wasn’t sure how long it would last but as it turns out, I already have over 50 more games lined up! So, here are my top 10 highlights from my first 50 weeks, in alphabetical order so that I don’t actually have to rank them.

The Cast of the Golden Idol [Demo] – Color Gray Games

‘A new kind of detective game that allows you to think and investigate freely. Discover clues surrounding 12 strange and gruesome deaths and build your own theory. Pick your suspect, deduce the motive, unmask the awful truth.’

I love being a detective. I love murder mysteries, figuring out the order of events, solving deaths, and this game is chock full of that. Recommended by Lucas Pope (Papers, Please and Return of the Obra Dinn developer) for people who enjoyed Obra Dinn, I agree that this is very worth playing. Each case had references and call backs to the other cases I worked, leading to a feeling that the full game is going to have a larger overarching story. Based on the demo this is going to be a fun game for logic puzzle enthusiasts and budding detectives alike.

‘Coming soon’ on Steam but you can Wishlist it here.

Cloud Climber [ Free to play] – Two Star Games

‘A surreal first person walking sim about the end of humanity. Explore magnificent sky-bound ruins, and learn why they were built.’

This one is a short, simple walking sim set at the end of an apocalyptic world. The atmosphere, setting and story were all enjoyable to me from the start and I would love to see more of this world. The unique art style only added to the experience, making me explore every nook and cranny of this small world. A solemn experience that I think is worth having.

Cloud Climber is free to download on Steam now.

Dagon: by H.P. Lovecraft [Free to play] – Bit Golem

‘Face unspeakable horrors. Succumb to madness. Welcome to a free daemonic narrative experience inspired by H. P. Lovecraft.’

I played other games that I enjoyed that were more involved than this one, but I just couldn’t bump it from the top 10. While the reasons are really subjective, I may not be the only one to have this experience and I would love to encourage others too. I am not familiar with Lovecraft’s works. I know of Cthulhu. I know that it is supposed to be mind-bending horrors. But the only experience I have had with any of his work is through games that have shared themes. This game is a short, point and click version of one of his stories, Dagon. In this visual novel, the story is told through a stunning set of scenes where the player can look around and click on interactable objects. Not only is the story presented to you, but there are collectibles that give you some insight into the history of Lovecraft himself. I had a great time getting to know some background about the guy who inspired so many works for so many years beyond him. It’s not the most interactive game or the longest, but what it does, it does really well and I encourage anyone who doesn’t know where to start with Lovecraft to give it a try.

It is totally free to play here on Steam.

Firework [Demo] – Shiying Studio

‘An accidental fire at a funeral forces the police to re-investigate a closed case of massacre. Lin Lixun participates the re-investigation by chances. As the investigation goes deeper, the past of the victims gradually emerges. However, the case becomes more bewildering.’

Firework is a Chinese horror puzzle game. Wait.. Horror you say? And Noob played it? This game had the perfect amount of horror for me. It was spooky, I was filled with dread about what might happen next, but none of it was too much. I managed to not only complete the demo, but wish to finish the rest of the game too. Playing games with a different culture to your own will always introduce a new flavour and it left me wanting more.

The full game is available on Steam now for £7.19.

Inscryption [Demo] – Daniel Mullins Games

‘Inscryption is an inky black card-based odyssey that blends the deckbuilding roguelike, escape-room style puzzles, and psychological horror into a blood-laced smoothie. Darker still are the secrets inscrybed upon the cards…’

I can’t believe I still haven’t played the full game. Not only is this a mash-up of a spooky escape room amongst other things, the card game presented in this demo was so much fun. Everyone that I know that has played the full game has recommended it. The only thing I am aware of is that there might be some surprises. But what they are.. I have absolutely no idea. Though, the demo hooked me well enough that I would like to find out.

Inscryption is available for £16.79 on Steam here.

Larry The Unlucky [Free to play] – Strongshell Software

‘Follow Larry’s life to find the source of his lack of luck. Discover his intriguing story and solve puzzles to understand how his life plays out.’

I am so glad that I stumbled upon this game. Heavily inspired by the Rusty Lake series, the first two games in this series are free and they both contain three chapters each. I enjoyed them so much that I will definitely be buying the third. In case you don’t know Rusty Lake, think – weird and morbid but humorous point and click puzzles, comparable to escape rooms. I don’t have a lot else to add except if that sounds appealing to you then they are definitely worth a playthrough.

You can find Part 1 here and Part 2 here on Steam, completely free!

Storyteller [Demo] – Daniel Benmergui

‘With Storyteller you are the one writing the stories! Start with a title, characters and settings and create your own twist on stories familiar and new.’

This charming puzzle game was really fun to play. It is a game where the wrong answers can be even better than the right ones. The game tells a selection of short stories through storyboards. Your job as the player is to fill these storyboards with the correct characters and scenarios in order to complete the story. It is simple but deep, as placing the wrong person can change the entire course of the story. This was a very fine demo and I would love to play more. The release date is TBD and there has been no news for a long time, but it is being published by Annapurna Interactive so we can trust that it will be release when it is ready.

In the meantime, you can Wishlist the game here.

Strange Horticulture [Demo] – Bad Viking

‘Strange Horticulture is an occult puzzle game in which you play as the proprietor of a local plant store. Find and identify new plants, pet your cat, speak to a coven, or join a cult. Use your collection of powerful plants to influence the story and unravel Undermere’s dark mysteries.’

In the Strange Horticulture demo, I really enjoyed having an adventure and a business from the comfort of my own workspace. You can organise it how you see fit and have different panels for you desk and your shelves that you can see at nearly all times, as well as drawers to hide things in. It is a fantasy botany identification simulator with an overarching story. I enjoyed the balance of ‘exploration’ and figuring out which plant was which, hoping you got it correct so you don’t poison your loyal customer.

The full game released in January and is £12.99 on Steam here.

SuchArt: Creative Space [Free stand-alone demo] – Goose Minded

‘Paint on any surfaces with numerous tools in Creative Space — a free sandbox version of SuchArt: Genius Artist Simulator. Create masterpieces, complete commissions, and decorate your studio in the most advanced artist sim!’

Considering this is basically a demo, it contains so much content. Use the paint physics and tools to fulfil commissions and decorate your studio in literally any way you see fit. I had a great time playing around with paint, seeing what all the different tools do, and completing my masterpiece with absolutely no disasters at all. Just take a look at the steam page to see the type of art people have made. It really is a sandbox for the imagination. This demo is so packed full of stuff that it makes the prospect of the full game very exciting.

Both are available on Steam now!

Temple of Snek [Code received] – Aetheric Games

Temple of Snek [Code recieved] – Aetheric Games

‘A snaky tile-based puzzle dungeon adventure. Defend the temple, monch the infidels, and grow and grow and grow…’

They managed to turn the classic snake (I am just realising that we are past the generation that grew up with snake being their first portable game) into a puzzle game with moving parts. Not only that, but they have done it with style. Part rhythm puzzle game, part dungeon escape game, you can gladly bob your head as your Snek swallows her foes whole, growing into the goodest, long, fiercest mama. Since I played they have added decorating your Snek too – ‘Mek-a-Snek’ – you can’t go wrong with some wonderfully customisable Snek fashion. I would love for more people to see this game becasue it really is a cool one. Just be careful not to touch your Snek with your Snek. Snek only knows what the consequences would be. Snek is such a great word. Snek.

Currently in Early Access, it is £9.99 on Steam here.

It was so difficult to narrow this down. There were games that I really liked that just didn’t make it onto the list. There is so much fantastic Indie content out there and it is all thanks to creative developers that take that step to turn their visions into reality. I thank them so much, and ask them to keep up the excellent work (but only at a healthy pace of course). All being well I will be back in another year to evaluate the next 50 and showcase some more highlights!

If you would like to discover more Indie games or stay up to date with the series, here is the entire playlist!

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A Noob’s Review – Stray

This year I have been blessed with the amount of ‘me’ games that I have been able to play. Stray, I am pleased to admit, is one of them. Without playing it, it is easy to think of it as nothing more than ‘that cat game’. That is how I thought of it before. I had hope that it would be great but expected charm and not a lot more. However – for me at least – it was so much more than that.

+ The Protagonist

In Stray, we play as a ginger tabby cat. Not a talking cat. Not a person that has been transformed into a cat. Not a magical cat. Just your regular old, run-of-the-mill, carefree street cat. Other aspects of story and play get added as you go, but the cat is still a cat, if a very smart and loyal one.

Throughout this game we traverse through different environments of this fictional dystopia, exploring, learning and taking in the surroundings. We are a speechless outsider, observing and interacting as we go. We aren’t one of them, and my playable character also sharing these qualities with me (the player) created a uniquely immersive experience that hit me on a genius level. This would have been a different game if we were playing as one of the robots that inhabits the city. 

Then there is the cat itself. The animations are beautifully made and transition seamlessly. Everything, from the swagger and agility to the curiosity and behaviour scream ‘real cat’. The interactions with other cats, the scratching at objects and rubbing on peoples legs were things that didn’t need to be included, but do wonders for immersion. In some games, going off the beaten path feels strange because you are on a mission to save the world or on urgent business, and stopping to talk to someone or play a mini game breaks the narrative. You do it, because it’s a game, but it feel wrong. Here though, we are a cat. If we see a perfect nap spot, we are 100% going to take it. Because that’s what cats do. We are emotive and adorable without feeling like a caricature, and it is just a pleasure to control this excellent boi.

+ The World Building

Urban and Cyberpunk settings don’t often appeal to me that much. For that reason I was here for the cat, nothing more. To my surprise, it didn’t take long for me to be completely invested in this world, desperate to explore to learn more of what life is like here and why. While ignorant past Noob felt like rolling her eyes at the idea of there being robots in this game, present Noob was delighted to meow at every single one I happened upon. You can learn a lot by interacting with everything you can, exploring the areas, taking notice of the details and putting the pieces together. Although it is a story of robots, it is more relatable than expected. Dealing with issues like pollution and poverty, two very real things, the game managed to keep me in a state of melancholy while also making me think.

+ The Aesthetic

Like I mentioned above, I didn’t expect the setting to really jive with me. Although I haven’t experienced a lot of it, I felt like I was burning out of the dark, dreary cityscape with colorful neon lights. All I had to do was play to realize that I was wrong. This game is stunning and the use of colors kept my brain twinkling in awe. Moving onto a new area always brought something new and interesting, and the beauty within the damaged and broken parallels with the themes of hope that are scattered throughout. Robots are robots, and while they seem sentient, everything they learned is from the humans. The way this is creatively used brought me so much joy. Abandoned apartments layered in rugs, linens, books and plants, creating the most stylish shabby chic décor. It isn’t practical but it doesn’t need to be. Every robot adopting their own style based on what they can find. Lights, lights and more lights. From the intricate interiors, to the wide shots of places you are discovering and have been, there is a beauty to this game that is not only pleasing to the player but really adds to the world building. The biggest crime that there is no photo mode (although maybe that is for the best, I might still be playing to this day).

+ The Difficulty

This is a very easy game, and I think that decision suits it very well. It allows for the flow of exploration without the frustration that can come in other games. Having said that, if you aren’t into exploring as much as I am you don’t have to. It isn’t difficult to figure out what you have to do next so if you want to mainline the story that is also entirely fine. Any puzzling is very minor, which makes the game very accessible to experienced gamers and new players alike.

+/- The Controls

I am personally very happy with the controls but I know a lot of people were underwhelmed. This is no precision platformer and I am glad that it doesn’t try or pretend to be. You can’t jump freely, only where the game allows. One could see this as a lack of freedom, or you could see it as a time saving and quality preserving mechanic. I didn’t waste any time trying to make jumps that maybe, just maybe, I could make. And I wasn’t taken out of the experience by janky animations caused by jumping places that were never intended because I was never allowed to. The levels are hand crafted with verticality in mind and the simple but intuitive controls were additive for me. The fact that there is an on demand meow button is just icing on the cake. 

+ The Details

I talked about some of the details in the protagonist and aesthetic sections, but it deserves to be its own positive mark. My favorite detail is how every NPC has their own little personality. Most of them have their own hobbies and styles. When you meow at them, they all have their own reaction to you. It only flashes across their face for a second, but it is there and that was enough to ensure that I meowed at every single NPC that I met.

+ The Collectibles

There were no pointless collectibles. They took the form of memories, and every one that you found added some more context to the world. They weren’t too difficult to find (I think this is the first game ever that I found them all by myself) and they encouraged exploration which, to me, is the highlight of the game. Exploration, rewarded with story, which then encourages more exploration is a dream game loop for me and it was executed to perfection.

+ The Level Design

This game felt like a living and breathing city. I explained a lot of why it works in the Aesthetic and Controls sections above, but I want to give a shout out to the open world areas. I expected more of a linear game so arriving in the slums was a huge surprise. There is lots of exploring to be done and the entire level makes sense. It is unique, lived in, full of character, easy to maneuver and not too big to be overwhelming. And the same can be said for every other open world section in the game. There are nooks and crannies that you can only access due to being a cat. At first it can take a while to get used to the fact that bars aren’t a wall, you can walk through them or jump over them. It keeps things unusual and interesting. A different perspective.

+ The Pacing

I really enjoyed the pacing. Although I would have liked even more time in the open world sections, it would probably be to the detriment to the game. When you are ready to move on, the game is separated with chase/stealth/sort of combat sections that also do not feel like they last too long. The game in its entirety is relatively short, and throughout the entire game I was engaged enough to not put it down. 

+ The Surprises

There were things in this game that I did not expect to see at all, but it was all entertaining enough. Obviously this is very vague as to not ruin it, but I think you will know what I mean when you get there.

Overall, this is an awfully sad world with hidden havens dotted around that I couldn’t get enough of exploring. I loved my character and I loved my time with it. I don’t think there are any cheap emotional stabs which is something I always fear in games containing animals, and I couldn’t be happier with the time I spent with this game. In the end, everything in the game made sense and I was very satisfied with the conclusion. The game resonated with me, and not just because of the cat, which I would say is an achievement for ‘that cat game’. Pawsome all around (be grateful. I could have used so many more puns throughout this review).

+ The Protagonist

+ The World Building

+ The Aesthetic

+ The Difficulty

+/- The Controls

+ The Details

+ The Collectibles

+ The Level Design

+ The Pacing

+ The Surprises

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A Noob’s Review – My Time at Portia

My Time at Portia is a game with many flaws, but if you can look past them then it can be an absolute delight. I feel like Portia is ideal for the people who love Stardew Valley/Harvest Moon type games but find the farming tedious after a while. These aren’t the only type of people who might enjoy this game, but if that resonates with you then it could be worth a shot! Not only through the first few hours but throughout my entire playthrough, I was constantly surprised, confused and amused by the stuff I would find and the things that would happen, leading to the affectionate nickname of ‘My Weird Time at Portia’.

– Doesn’t know what it wants to be

When I first started playing My Time at Portia, I got the sense that it didn’t know what it wanted to be. Games like Stardew Valley have a lot to do. You can farm, craft, cook, mine, forage, fish, create relationships. I feel that all of these things are key to the slice-of-life farm sim genre that these games are part of, which is already quite a lot of things to do. Portia is similar in that sense, except, add a main story, side quests left right and centre, dungeon crawling, named boss fights, a full on skill tree with three entirely seperate sections to go down, a photo menu, a workshop manual, a research system, a fluctuating economy, social mini games, regular mini games, festival mini games. It is a lot, and for a while the main thought going through my head was ‘What on earth is this game’.

+ Something for everyone

Though the absolute muddle of things to do and potentially overwhelming vibes this game gives out, the bright side is there is probably something for everyone. If you are like me and enjoy the systematic collection of things and ticking things off lists, you can do that. If you like making friends with everyone in town, you can do that. If you like spending your time decorating your home rather than completing commissions, you can do that. If you like dungeon crawling and fighting for loot.. I can’t say that I recommend it but it is there. More on that later!

– The jank

Before you even think about playing this game there is something that you have to accept. This game is Janky. And I mean Janky. Sometimes characters speak out loud, sometimes they dont, when they do it is generally awful. Sometimes they will say the right words, sometimes they will say something entirely different, sometimes they won’t actually be there while they are talking. Sometimes the camera will focus on weird things. NPCs are constantly stuck on the environment and will occasionally teleport. Photo quests break often. Mounts become unmountable. The game does a lot and generally it works, but with love, I do have to say that it can be quite a mess.

+ The jank

On the other hand, if this game didn’t have its Jank then I don’t think it would be half as memorable than if it were perfect and smooth. If you have a mount they are going to be running around in the background of every cutscene. When you get past how awful some of the cutscenes are they become hilarious and you look forward to the next one. When creating my character I couldn’t figure out how to change her name on console so she ended up being Linda. I gave her some pink cheeks that looked nice in the character creation menu. As soon as we got into the game though, it turns out those pink cheeks basically glow. Every day in game, something in the world is going wrong and it was a constant source of glee for me. A lot of the Jank is graphical or in the animations, and they can be the best.

– The combat

Okay… if there is something that I have to give my biggest criticism in this game, it is the combat. I don’t enjoy combat at the best of times but I can usually appreciate it if done well. It isn’t the end of the world since this game isn’t about combat, but you have to do it often enough that it can become frustrating and tedious. There is no feedback, or at least it tries to give you feedback through visual effects, which in the end just feel like a mess on the screen. I genuinely cannot tell when I am getting hit. There are numbers popping up but there is no feeling to it at all. Sometimes you can hit through or be hit through walls. Sometimes the enemy ends up in the air and doesn’t come back to the ground. Timing doesn’t feel like it matters much and when it does it can be frustrating. Hit boxes are hit and miss. AI companions will run at enemies and agro them when you are trying to draw them out one at a time. Thankfully, if you die during a boss fight you will respawn without their health being replenished. This is a mercy that I am grateful for, but it almost feels like confirmation of an awareness that the combat isn’t the best. Throughout the main story you will be put into multiple combat scenarios. As long as you keep plenty of health replenishing items in your inventory then you can tank your way through without too much pain. It can be a huge drag though.

+ Low stakes

I think what I love the most about this game are the low stakes. Sure, there are optimal ways to play and you can min/max if that is how you like to do it. But if not, there aren’t really any punishments for going slow. The only things that are timed are daily commissions (which you can choose to do) and very few quests/side quests. Other than that.. go nuts. Fancy spending an entire week in the mines? Go for it. As long as you have set your machines away there is really no reason to come home at night, so you can pass out at 3am doing whatever you were doing and wake up with full stamina the next day without losing anything. This all makes it really easy to pick this game back up even if you haven’t played for a month. I really appreciate it when I compare it to say, Stardew Valley, where I don’t want to boot up my game without my notebook in hand because I need to stick to my plan.

+ Crafting

I believe Crafting is a really clever way to solve the problem that I mentioned in the intro. By the end, I usually find farming really tedious in these games. Having to water everything every day, plant them at the right time, harvest and replant, then if you miss the window you have to wait an entire year. I always pray for rainy days so that I can go and do other things. Instead, in this game you have to gather materials and process them, to then craft them into different items. Different materials can be processed in different ways, so it is up to you to manage what you have, what you need, and that is the loop rather than plant, water, harvest, repeat. It is much more flexible and, for me at least, enjoyable.

+ Progression

The fact that I already enjoy the crafting is doubled when paired with progression in this game. Throughout the main story you will get many different commissions to help make the city a better place. If there is something I love in a game, it is an environment that evolves over time. Not only does Portia do that, but it only does so thanks to your efforts. Building bridges will allow you to access new areas. Building busses will unlock fast travel. You will build buildings and areas that from that moment onwards will be a permanent part of the town. It never stops being satisfying. On top of this, the crafting progression itself also feels nicely done and natural to me. Once you are able to build everything available, you know that you will then need to upgrade your equiptment to unlock more options. If you have options available that you dont yet have the materials to build, you know that your next quests are going to unlock an area that allows you to access new resources. It is a cycle that repeats throughout the game and works very well.

+/- Relationships

I don’t really know where to place relationships here. There are things I really like and things that I really dislike about them. On the positive side, relationships bloom themselves as you progress through the story, which I think is very naturally done. As you help improve the town, the townsfolk will like you more. As you do commissions for individuals they will like you even more. Then as you grow relationships with them you will start to get cute little side quests which I found to be a nice touch. Becoming friends with certain vendors will get you discounts, and you will occasionally receive gifts from your buddies.

The relationship system is let down in two ways in my opinion. Firstly, I don’t think it’s very fun. There is the traditional system of giving the person daily gifts that they like which isn’t bad, but it isn’t great. Then there are some more unique systems, most of which didn’t land for me. Some characters have their own minigames you can play, some can spar (see combat above to explain why this doesn’t hit) and once you become their friend you can go on playdates (or proper dates if you are romancing). After I had done two dates I was already bored of the system and just wanted go back to old fashioned gift giving. Secondly, when it comes to romance, I don’t feel like there are many good options, specifically for husbands. I didn’t really want to marry anyone. Six of the options are identical. Having kids is as far as you can go down the family route and they don’t grow up from being a toddler. So relationships in general in this game are a really mixed bag for me.

+ Attention to detail

The attention to detail in this game is great. While some systems feel unnecessary, there are others that add to the overall charm of the game. My favorite thing is that anything you are holding, your character will be holding it in their hand. If it’s big they will carry it over their head. Most accessories that you can wear for stats you can also see on your character. They didn’t have to do these things but it really adds to the experience, and it will always be funny running along carrying a giant poop above your head.

– Navigating crafting

Navigating the crafting systems does not flow well, and while you do get used to it, it could be better (and I believe they may have solved this in the sequel). For example, if you are assembling a big product, having the ingredients in your inventory will not do. They have to be directly in your hand to place them. Eventually you get some automation options but it is so late in the game and unintuitive that I have to mark the game down for it. When I don’t play for a while, the hardest part is reacquainting myself with all my stuff since I need to know where to grab things from.

+/- Festivals

Something else to watch out for in this game are the festivals. Many slice-of-life games have them.. But none of them have them quite like this.

++++ Pinky

And the final positive point of this game, saving the best till last. Pinky. 

There are a lot of reasons to like this game and many surprises along the way. As long as you know that you are going into a very imperfect experience and are open to some fun, there is such a good time to be had. If you like what you heard above then you should definitely jump in. If you claim the free games on the Epic store you may already own it, or it is currently on the PS Plus Extra Tier and Xbox Game Pass. The Sequel ‘My Time at Sandrock’ is in Early Access right now so it is the perfect time to jump into the series.

  • – Doesnt know what it wants to be
  • + Something for everyone
  • – Thejank
  • + The jank
  • – The combat
  • + Low stakes
  • + Crafting
  • + Progression
  • +/- Relationships
  • + Attention to detail
  • – Navigating crafting
  • +/- Festivals
  • + Pinky
I did stream my first few weeks in Portia, I’ll leave this here in case anyone is in need of misadventures.

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Channel Update – August 2022

Guys, I have hit a video block. Remember when I had all of those ideas? Reviews.. Guides.. all of that? I have put substantial time into both of those things but I haven’t finished either, and what I have made.. well.. it’s just bad.

My style just doesn’t suit edited content. I can’t read a script. I mean, technically I can, but it sounds stiffer than my neck after a bad nights sleep. Something I tried to combat this was making notes and free styling. This definitely helps me to get my point across but the videos end up far longer than I would like, even once I have edited them down. I made the decision to stop making Let’s Plays so that I could focus on other things when truthfully, they are the only video content that I am good at. That doesn’t mean this was wasted, I have learned a lot. It also doesn’t mean I am jumping straight back into making them because I still have other things to try.

There are more things on my list that I have still yet to try, and given the results of my experiments so far, these might be much better suited to the way that I think and how I like to make content.

Podcasting | I like long form conversation and I generally have a lot to say about games. If I try to condense things too much like I have in the videos I’ve tried to make, I end up losing my point and my personality. What I love about podcasts is that they can be whatever you want them to be, and as long as you stay relatively on topic then there is plenty of unscripted time to say what you want to say. The only trouble with podcasting is that I really do think they are their best when they are a conversation. I can’t imagine anyone would like to listen to me talking to myself in that way. I thought about solving this by having guests, but I’m not even sure that would work. I have been listening to a bunch of Duckfeed TV and Gary and Kole have a great thing going. They listen to eachother, they support eachother, their subtle communication works so well and ultimately, they are both passionate about what they do. Having another person feels not only essential for the quality of the end result, but also for the support along the way, bouncing ideas back and forth and sharing the workload.

Writing | Writing doesn’t often come naturally to me. I usually need to be in a specific mood at a specific time. I have no idea how professionals manage to make magic with their words every day, on demand. But, the advantage of writing is that I can take all of the time that I need to shape my words into sentences that actually make sense, without the worry of having to do that on the spot or how I sound. I don’t have the most diverse vocabulary, I dont have the best spelling or understanding of punctuation, but I also don’t have the best speaking or reading skills and that didnt stop be from becoming a streamer. What I do think I have is my own unique tone that is easy to read and who knows, maybe with practice I will get better at those other parts too. The drawback is that there is probably even less of a demand for my writing than there is for anything else I could do. I’m not sure anyone will be interested in reading. Having said that, my videos aren’t popular either so it seems worth a try. At worst, I get the idea off my mind, discover I hate it or develop my skills. At best though, people enjoy it and something comes of it.

The reason I am writing this is becasue I need to let go of the video ideas. Despite everything I have written and the want to let it go, I clutch onto the hope that maybe I can make something good. The ideas constantly circle around my head, half formed, taking up space as a fog that never takes form, clouding the way for anything else. No matter how much I want it, I have to accept that I suck at scripts, I find editing a chore and the glimpses in my head of what could be are not translating into the actual content. Let’s Plays and Streaming suit me well because there is no script, minimal editing down, just pure thoughts. Perhaps the things above will too. So it is time for me to move on and try new things. I’m just sorry there is nothing to show to everyone that is supporting me.

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Basaran – The Ninth Colossus

Shadow of the Colossus.

More Shadow of the Colossus Photography

More Video Game Photography

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Let’s Play – Exit/Corners

Exit/Corners is a free-to-play browser based visual novel, which you can play yourself here. The mysteries keep on coming as we puzzle our way out of a hotel that is set to collapse with a colourful cast of characters. Created by a tiny team, I do implore you to give this one a go, whether you are playing yourself or watching my series below. It is an interesting one!

Full playlist available on Youtube!

Guest Appearance – Left Behind Game Club – The Nonary Games: Virtues Last Reward

I joined the Left Behind Game Club once again to continue our journey through the Zero Escape series. If we thought 999 was mind bending then we needed to buckle our seatbelts. Virtues Last Reward is the sequel, upping the ante in every which way possible! Beware, this episode is full of spoilers and I recommend playing through the series yourself if you have any interest at all!

Available on your platform of choice!

This episode aired on 15/06/2022. Don’t forget to subscribe to the Left Behind Game Club and give them a 5 star rating if you enjoy their content, it helps them out and they definitely deserve it! Have a scroll through their content and I can guarantee there will be some episodes for you.

Let’s Play – Zero Time Dilemma

We completed the Zero Escape series with a full playthrough of Zero Time Dilemma! It took me a while to get used to the different style of this one, but once I did, I was all in. A fun entry to a fun series.

Full playlist available on Youtube!